The Craft
Good design is a language, and craft is the grammar.*
Block Print
One of the oldest printing methods, block printing is a quiet dialogue between wood, dye, and fabric. Each block is hand-carved, inked, and pressed by hand — one impression at a time. The slight variations in every print are not flaws but signatures of the maker, giving each piece rhythm and character.
Screen Print
Screen printing brings precision to pattern. Using fine mesh screens, colors are layered through stencils to create sharp, consistent designs. It allows us to experiment with scale, gradients, and detail — where craft meets control.
Cut & Sew
The final language of form. Stitching gives structure and finish — turning printed cloth into lived objects. Each seam carries care, balance, and intention. Whether hand-done or machine-finished, it’s where design meets durability, and craft finds its voice in use.
At One Day in November, our work begins with the hands. These crafts shape much of what we make. Together, these processes remind us that good design speaks clearly when its grammar is honest — in the texture of a print, the steadiness of a hand, and the intention behind every mark.
*Eileen Fisher